Knowing how to frame ideas into the right context seems to be a
common stumbling block in marketing and communications. I don't know
whether it's because understanding context is diffcult or putting
things in context is difficult.
Here are two examples I came across last week that may help you think about context.
Wind power.
On Friday two architecture professors, Charlie Cannon of Rhode Island School of Design and Leftheri Pavlides of Roger Williams University, walked me through a presentation about why wind turbines are good for
communities. The deck, written eight months ago before energy prices
went bonkers and Exxon Mobil declared a $9 billion net quarterly
profit, was packed with economic, environmental and health data and
benefits.
“So, what do you think,” they asked. “Is it persuasive and convincing?”
Not
quite. My advice was that they talk about wind in the context of the
out-of-control energy prices, and the impact of those prices on poor
and working class folks who are just trying to make it. (Flash back to
images of Hurricane Katrina and the poor and working class with no
safety net.)
Of course, the environmental and health benefits
are solid, but what moves people in the current context is that wind is
something we can approve locally to help local people. I can’t do
anything about the big oil companies or utilities. But I can approve
wind turbines for my local community, which will help some people who
are on the brink of financial disaster. Wind is a simple thing we can
do that can have a profound effect.
A Long Way Down.
Another example of context comes from Nick Hornby’s new novel, A Long Way Down
about four really different people who meet by chance on a rooftop on
New Year's Eve with the intent of committing suicide. (Almost but not
quite as good as High Fidelity and About A Boy.)
This
excerpt is from JJ, one of the loser characters who is on vacation in
the Canary Islands with his new New Year's Eve friends, and is going
out to “jumpstart my libido.”
“I went back to the room to get
dressed. I’m not a bare-chested kind of guy. I’m like a hundred and
thirty pounds, skinny as f**k, white as a ghost, and you can’t walk
around next to guys with tans and six-packs when you look like that.
Even if you found a chick who dug the skinny ghost look, she wouldn’t
remember that she dug you in this context, right? If
you were into Dolly Parton and they played a blast of her album during
a hip-hop show, she just wouldn’t sound good. In fact, you wouldn’t
even be able to f******g hear her. So putting on my faded black jeans
and my old Drive-By Truckers T-shirt was my way of being heard by the
right people.”
JJ dressed for the context and did indeed
jumpstart his libido. I'd like to share more about the other characters
and bigger context ideas but that might ruin the book for you. It's
worth the read.















